Michèle Taylor

Portrait photograph of Michele TaylorMichèle Taylor has been Director for Change at Ramps on the Moon since the Consortium was convened. For the last 10 years, she has supported partner theatres to embed disability equality into their organisations and to realise their ambitions around elevating disabled people across the mainstream industry.

Michèle is a disability equality trainer and consultant who set up her own business in 1992 to work with arts and other cultural organisations. She has seen immense change across the sector in that time, and is still impatient for more:

“It’s time to focus on anti-ableism: recognising that as disabled people, we are no longer satisfied with being granted access into an essentially ableist sector. I am proud of the Ramps on the Moon partners for the work they have done to reflect on their own structures and processes, and to share their learning.”

Over the years, Michèle has worked with clients such as The British Museum, The Royal Opera House, The University of Gothenberg, Cultural Heritage Without Borders and the BBC. She sits on a number of boards, including UK Theatre, and has a national profile in this area of work.

Michèle loves nothing more than to question orthodoxy and to challenge assumptions. She believes that an attitude of curiosity, together with a healthy dash of mischief is necessary to effect change.

Miranda debenham

A head shot of Miranda, she has a blue bob and is wearing a black jacket and a pendant round her neck

Miranda is the Ramps on the Moon Project Manager and has been working as a theatre producer in Sheffield for the past decade at venues including Theatre Deli Sheffield and Sheffield Theatres.
 
As the Producer at Theatre Deli she created the Social Model and More Festival, which platformed disabled artists across theatre, film and dance, whilst her work at Sheffield Theatres included Standing at the Sky’s Edge and Much Ado About Nothing. She was the founder of the Local Theatre pop-up venue, and has produced work for The Blanket Fort Club and Festival of the Mind.
 
Her practice is informed by her experiences as a queer disabled woman, and she aims to centre care and generosity in all her work.